By Ryan Bishop, John Phillips, Wei-Wei Yeo
This booklet addresses problems with area, historicity, structure and textuality through targeting Singapore's singular place within the quarter and as a world urban. The articles examine how a variety of reports of Singapore, either from inside and from open air, aid to complicate present assumptions approximately worldwide urbanism, postcolonialism, and architectural idea whereas generating tough new principles from quite a few disciplines concerned about how area, historicity, structure and textuality tell each other.
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Extra info for Beyond description: Singapore space historicity
39 The focus on aspects of marginality complements the predilection for old estates as part of the narratives’ critique of government policies and the price society pays for economic growth. The displacement of individuals and their rootedness in Singapore, in personal histories, circumstances, and the environment is a contrast that crops up again and again in these narratives. The degree to which the contrast is made varies from work to work, but in general its presence seems to be intended to alert readers and audiences to the gritty and sometimes disturbing reality behind the façade of uniform housing.
2 mothers in a h d b playground” by Arthur Yap in Down the Line (1980) is an early lonely instance. “Preserve old ﬂats and familiar sights to keep memories alive”, The Straits Times (2 December 2002). Daren Shiau, Heartland, 5. “Point block” ﬂats refer to ﬂats in which staircases provide access to only two units on each ﬂoor to allow for greater privacy, as opposed to staircases which access about ten units per ﬂoor, all linked by a common corridor. See C. W. Teh, “Public Housing in Singapore: An Overview”, in Public Housing in Singapore (Singapore: Singapore University Press, 1975), ed.
By Alvin Pang and Aaron Lee, 60. “Trees are only Temporary”, 60. “Introduction”, in No Other City: The Ethos Anthology of Urban Poetry, 23. , 22. , 23. Topo Omoniyi, “Island in Verse: Constructing Identity from Singaporean Poetry”, in Interlogue: Studies in Singaporean Literature (Singapore: Ethos Books, 1999), vol 2, ed. by Kirpal Singh, 52. See ibid. For an ofﬁcial statement of this notion see the former National Arts Council chairman Tommy Koh’s Foreword to Journeys: Words, Home and Nation: Anthology of Singapore Poetry (1984–1995) (Singapore: Unipress, 1995), ed.
Beyond description: Singapore space historicity by Ryan Bishop, John Phillips, Wei-Wei Yeo