By Lopsie Schwartz
Adobe Photoshop for VFX Artists is an in-depth consultant to making visible results paintings utilizing Photoshop. Taking an easy, visible method of Adobe's best-selling software program, this booklet will give you every thing you can use Photoshop to fulfill particular pursuits for paintings construction. advance the abilities you must grasp expert matte portray and second and 3D texturing thoughts and secrets and techniques. This exact consultant is among the in simple terms books to be had certain in particular to the VFX artist. Written by means of a certified Texture Artist at an enormous Hollywood visible results studio, you’ll study insider information and methods which are challenging to return by way of. Adobe Photoshop for VFX Artists adheres to the excessive criteria of the pro VFX global, whereas nonetheless delivering an abundance of data for the VFX hobbyist.
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About the Author
Jennifer Smith is cofounder of yank photos Institute in addition to a professional Technical coach. She is a member of the AGI inventive group, which develops and can provide worldwide education courses for inventive, advertising, and communications pros.
Adobe Photoshop for VFX Artists is an in-depth consultant to making visible results artwork utilizing Photoshop. Taking a simple, visible method of Adobe's best-selling software program, this ebook provide you with every little thing you should utilize Photoshop to fulfill particular pursuits for artwork production. improve the talents you must grasp specialist matte portray and second and 3D texturing thoughts and secrets and techniques.
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Additional resources for Adobe Photoshop for VFX Artists
These modes are the same as the brush-blending modes covered later in the chapter. Dual Brush Dual Brush uses a second brush tip, blended in, in a single stroke. This is great once you’re familiar with all the brushes. You can even specify and control the mode with which the second brush is applied to the first brush. To display these settings, click the Dual Brush option on the left side of the palette. 10. The settings appear on the right side of the palette. 10 The second brush gives your Scattered Maple Leaves brush a stamped quality.
Isn’t it the same as setting the brush to a hard edge? Actually, they exhibit a few differences not only in their hardness, but in their function. With the Pencil, you Shift+click and create straight lines. An auto-erase option automatically switches your pencil to the background color when you try to draw on a color that matches your foreground color. The Brush does not have such an option. 49. A hard brush tool is still anti-aliased, so on close inspection it’s quite different from the hard stroke of a pencil tool.
Angle Jitter lets you control or randomize the brush tip angle, which is great in a couple instances: ■ You’re creating a texture that has to follow some logical change in angle. An example is arrows pointing along a path (0 percent jitter, but using direction). ■ You want to give a more natural look to a shape (leaves blowing in the wind, 100 percent jitter). 28 Chapter 2 ■ Brushes Roundness Jitter controls the roundness that you have set for brush tip shape. Minimum roundness sets a limit to how flat the brush can go.
Adobe Photoshop for VFX Artists by Lopsie Schwartz