By David D. Busch
An excellent creation to Photoshop components three that would entice photographers relocating from conventional movie and darkroom printing to electronic images. whereas this publication does not enterprise too a long way into 'advanced' concepts, and does not discover the 'hidden positive factors' pointed out in another parts courses, it does disguise all of the necessities and comprises a few worthy suggestions and strategies. Comparisons with movie digicam and darkroom options will attract conventional photographers.
If you are new to parts, this advisor provide you with a radical grounding, but when you have been utilizing parts for a while and are searhing for extra complicated thoughts then you'll likely locate one other publication extra fascinating.
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Extra info for Adobe Photoshop Elements 3.0: Photographers' Guide
Follow these suggestions to get your best picture: ■ Set your digital camera to its highest megapixel rating, and use the least amount of compression possible. If your camera has an SHQ, Extra Fine, TIFF, or RAW setting, you’ll find these will give you the sharpest original image. ■ Use the sharpest film (conventional camera) or lowest ISO setting (digital camera) you can, given the lighting conditions and your subject matter. That might mean using an ISO 100 film (or its digital equivalent setting) for a scenic photo, or an ISO 200-400 film or setting for an action picture.
Perspective Control Most of the pictures we take, whether consciously or unconsciously, are taken head-on. In that mode, the back of the camera is parallel to the plane of our subject, so all elements of the subject, top to bottom, and side to side, are roughly the same distance from the film or digital sensor. Your problems begin when you tilt the camera up or down to photograph, say, a tree, tall building, or monument. The most obvious solution, stepping backwards far enough to take the picture with a longer lens or zoom setting while keeping the camera level, isn’t always available.
Paint an area around the basketball using a soft, 100pixel brush chosen from the drop-down palette at the left side of the Options bar. Paint an area about 125 percent of the diameter of the ball itself. 5. We actually want to select everything in the image except the ball, so if you are in the habit of painting selections, like I am, invert the selection by pressing Shift + Ctrl/Command + I. That leaves the ball masked, and everything else selected. 6. 7. Choose 85 for the Amount, Zoom as the Blur Method, and Best as the Quality level.
Adobe Photoshop Elements 3.0: Photographers' Guide by David D. Busch